Haleema Aziz

Haleema Aziz is a multidisciplinary artist whose practice is rooted primarily in painting, yet continues to evolve through experimentation with wood and sculpture. Refusing to be confined by any single medium, Haleema values the freedom to create intuitively, allowing each piece to find its own form.

Central themes in Haleema’s work include faith, migration, and personal values—concepts that are explored with depth and sensitivity. The research behind each project is an integral part of the creative process, serving not only as a foundation for the work, but also as a means of personal growth. For the Artist, this journey often reshapes their understanding of the world, offering new perspectives and deeper insight into the issues that matter most.

“My work is a quiet conversation between memory, faith, and the colors of home.”

6 questions with Haleema Aziz

We ask our emerging artists 6 questions to uncover what drives their work, practice, and creativity.

What themes or questions do you find recurring in your work?

My themes tend to shift, but lately I’ve been really drawn to exploring cultural identity — especially as a child of immigrants. There’s a certain nostalgia tied to the fabrics, colors, and patterns I grew up with, especially in a household where my parents were trying to hold on to their roots while navigating life in a Western country. My religion is also a big source of inspiration for me — it's something beautiful and grounding that I’m always coming back to in my work.

Can you describe a pivotal moment in your journey as an artist?

A big turning point for me was when I went from just making and sharing things casually online to actually growing a platform and connecting with people who truly relate to my work. That feeling of resonance — knowing others see themselves in what I create — has been really powerful.

What materials or processes are most important in your practice - and why?

Research is a huge part of my process. I especially love it when it involves learning about the deen — whether it’s diving into a surah or a hadith, it always feels like I’m strengthening my connection with Allah while creating. I started out with oil painting, but I didn’t like feeling limited, so I started exploring other mediums like woodwork and ceramics. I enjoy experimenting and letting the medium fit the message.

How do you want people to feel when they experience your work?

I want people to really get what I’m trying to say. Ideally, they pause, reflect, and maybe even feel a sense of nostalgia. If it sparks contemplation or familiarity — like something deeply personal yet shared — then I feel like it’s done its job.

What does a typical day in your studio look like?

I don’t have a proper studio just yet — hopefully one day, Insha’Allah — so I create wherever I can. Usually, I’ll have a good documentary or some comfort food nearby. I prefer painting in shorter bursts throughout the day rather than long hours all at once.

What dreams or hopes do you have for your artistic journey?

I’m really hoping to work toward a solo exhibition — something meaningful and cohesive. I’d also love to explore large-scale projects, like a sculpture or mural. I want to try everything and see where it takes me.

Haleema Aziz COLLECTION

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